audiovisual artist & filmmaker
ciucioflorinda@gmail.com
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My audiovisual practice reflects on life in an overstimulated world.  

I create slow, quiet moments that offer pauses in time, to invite deeper reflections on how we perceive and experience our environments and process information. In a world that pushes for constant speed, productivity and attention, exploring what it is to slow down feels to me like a poetic act of resistance.

I often draw inspiration from research on environmental psychology, landscape theory, and mental health to explore how our attention and nervous systems are shaped by the constant flow of daily stimuli and our fading connection to nature.

With a background in film directing, I’m very much influenced by the cinematic experience where viewers sit in a dark room and time feels suspended and controlled. This feeling of immersion and time-awareness shapes how I create work to both calm and unsettle, inviting people not just to look or listen, but to notice themselves: how they wait, how they crave, how they connect.


Alongside this, my documentary practice is based on poetical observations that are rooted in sensorial experience of environments. Working with real-time observation, my films emphasize tactility and presence over explanation, using landscape, movement and everyday gestures to carry meaning. Experiences of migration, belonging, friendship and time are allowed to unfold gradually, through slowness, repetition, and metaphor.



CV
FLORINDA CIUCIOSCREEN TIME


SCREEN TIME
2025, 5’, video installation with wooden structure


 installation view of exhibition ‘Setting’ at viafarini.garage, Milano



DESCRIPTION



Inspired by the recent popular use of fake fireplace videos, SCREEN TIME is a variation on this concept using landscape, staging a fake window view to construct an artificial outdoor scene.
The work offers an ironic take on this trend, highlighting the increasing digitalisation of our visual reality and exposing how much of what we see and compare our lives to is fabricated, made evident by the visibility of the structure behind the image.

The work also offers a deconstructing of the idea of “the idyllic” as a concept, referencing how the images we consume are often staged or manipulated, shaping unrealistic comparisons to our own lives and surroundings.

What we perceive as an ideal or idyllic life is often a projection of these constructs rather than a truth. To emphasize this, I incorporate footage from my ancestral village in Sicily - a place that appears like an idyllic landscape, yet was ultimately abandoned by many for a reason.










©2026 Florinda Ciucio