audiovisual artist & filmmaker
ciucioflorinda@gmail.com
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My audiovisual practice reflects on life in an overstimulated world.  

I create slow, quiet moments that offer pauses in time, to invite deeper reflections on how we perceive and experience our environments and process information. In a world that pushes for constant speed, productivity and attention, exploring what it is to slow down feels to me like a poetic act of resistance.

I often draw inspiration from research on environmental psychology, landscape theory, and mental health to explore how our attention and nervous systems are shaped by the constant flow of daily stimuli and our fading connection to nature.

With a background in film directing, I’m very much influenced by the cinematic experience where viewers sit in a dark room and time feels suspended and controlled. This feeling of immersion and time-awareness shapes how I create work to both calm and unsettle, inviting people not just to look or listen, but to notice themselves: how they wait, how they crave, how they connect.


Alongside this, my documentary practice is based on poetical observations that are rooted in sensorial experience of environments. Working with real-time observation, my films emphasize tactility and presence over explanation, using landscape, movement and everyday gestures to carry meaning. Experiences of migration, belonging, friendship and time are allowed to unfold gradually, through slowness, repetition, and metaphor.



CV
FLORINDA CIUCIOTHE TELEPHONE GAME


THE TELEPHONE GAME
2024, 5’, 8-channel sound installation


 project support by VOCATIO foundation
 installation view at public library ‘Permeke’, Antwerp, Belgium




DESCRIPTION


The sound installation THE TELEPHONE GAME is an exploration of fake news inspired by the children’s game, where a story gets distorted through being passed down a whisper chain. The work playfully reveals how disinformation is created and how stories change as they spread.
The installation features 8 speakers or headphones, each playing one by one a different version of a fictional news article recorded with high-school students in Antwerp, Belgium. The article, filled with intrigue and inspired by the complexities of geopolitics, is passed along in a whisper chain.

Each student shares their memory of the article with the next, gradually distorting the narrative into something increasingly absurd or comical, shaped by their boundless imagination. As the story evolves across 8 speakers, it reveals how easy the truth distorts through repetition.  

The work mirrors today's online environment where stories spread and transforming rapidly with each repetition shared. It illustrates how quickly roles can completely shift between “perpetrator” and “victim” or “the good” and “the bad,” exposing the fragile, fluid nature of truth in the digitally overstimulated age.










©2026 Florinda Ciucio